The M-collection presents the story of Leuven as told by the arts. M exhibits classical and modern art inspired by the multifacetedness of Leuven. Its own collection primarily focuses on art produced in Leuven and Brabant from the Middle Ages to the 19th century.
The City of Leuven’s art collection can be admired in various places. The majority, however, is exhibited in the permanent collection and the depots of M in the Vanderkelenstraat. The Treasury of Saint Peter’s also houses numerous gems.Visit website
The works of the late-medieval sculptor the ‘Master of Elsloo' in Belgian ownership: art-historical and technical research in an international perspe
Promoter: Christina Ceulemans
Project within the framework of the research campaign Stimulation of Research in the Federal Scientific Institutes (Action 1) - 2010-2011
The project consists of a technical and art-historical study of the works of the late medieval wood sculptor the Master of Elsloo. Few late-medieval sculptors have been attributed such an extensive oeuvre as the Master of Elsloo, whose conventional name derives from a Virgin and Child with Saint Anne from the St. Augustine Church of Elsloo, a sculpture which in the nineteenth century was still listed in the inventory of the Munster Church in Roermond. Almost 200 works of the Master have been identified, around 70 of which are in Belgium, mainly in the province of Limburg. His other works are found in the Netherlands and Germany, in the region that is currently referred to as the Euregio Maas-Rijn. In some important foreign museums, The Master of Elsloo is represented as well.
The aim of this study, set up within the framework of an ambitious three-part international collaboration project (Belgium, the Netherlands and Germany), is to draw up a survey on the Elsloo-works. With its photographic inventory and expertise in the domaine, IRPA/KIK is the logical choice for conducting the Belgian component. By means of art-historical, technical and archival research, we aim to gain insights into the production and workshop of the Master, as well as in similar workshops. One particularly interesting aspect will be the dendrochronological research.
One of the ways in which the City Museum actively pursues its priority public-service missions, i.e. scientific study, conservation and enrichment of Brussels’ heritage and the showcasing of this heritage to best advantage for the benefit of the general public, is by staging temporary exhibitions in the main hall on the top floor, aimed at creating links between the past and our present. On the ground floor the City of Brussels Museum presents an overview of Brussels’ arts: sculptures and monuments from sites and places of interest in Brussels dating from the 13th to the 19th century, pewterware and earthenware, silverware and pieces of porcelain, not to mention tapestries from the 16th to the 18th century and altarpieces (15th to 16th century).Visit website
This website enables you to discover the heritage of the museums and heritage collections of Antwerp.Visit website
Diest, BelgiumVisit website
The collector Fritz Mayer van den Bergh (1858-1901) was passionate about art and far ahead of his time. He had a nose for works that were of little interest to others then, but are universally admired now. His special field of interest was the art of the Low Countries from the late Middle Ages and the Renaissance (14th – 16th century), and he had a partiality for Bruegel.